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The “no killing”, however, doesn’t generally punish knocking out guards and removing them from the equation, and this is where things got fun again.
Hitman, for its unique variety of killing shinnanigans, often shifts its reward based on playstyle, but the most reward can be earned through only killing the mark, no one else…and above all, making the mark’s death look accidental or pinning it on someone else, so no suspicion is drawn to the real murderer.
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It wasn’t the way of the professional thief to kill his enemies and harder difficulties ensured that the mission failed if you did kill a single guard or person, by accident or not. Back as far as Thief, to kill was never supported. The element of “not killing” has always been something that stealth games have emphasized, however. There’s not an inbetween or compromise, like there was with earlier games. Or they’re the other way, where sneaking through and never touching an enemy can prove incredibly risky and not lead to a reward, like in Last of Us where it’s more worthwhile to carve out a path of destruction in a lot of “stealth” instances rather than slip by unnoticed. The new Splinter Cell: Blacklist offers more points to the same style, leaving enemies unharmed and none the wiser to your presence. The new Ghost Recon games have rewarded more points to the “ghost” players, who don’t engage the enemies and leave without the enemies being even remotely aware of their presence. It means not even alerting them to your presence, where even distractions can be annoying to perform simply because the level design doesn’t encourage it. It means not touching anyone, not even to knock them out and move them aside for the time being. That means not touching the environment if at all possible, save to move a temporary element in your favor. However, more and more games have made it a point to reward one playstyle: the ghost.
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Let me back up a bit: there are lots of stealth games with this particular freedom of how to approach situations. Then I begin wondering why more stealth games that I play don’t have this same freedom of choice?
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Because it’s simple to come back to a checkpoint, making a mistake and getting caught doesn’t seem that large of a deterrent to experimenting, and the game’s relatively quick pace for sneaking and exploiting windows of opportunity mean that every moment feels rewarding to take advantage of and get away unseen and unheard from. In other ways, there are situations that require lots of thought and experimenting with the environment to learn ways of dealing with the situation.
In some instances, the situations are very easy simply because the ways to bypass them easily click to me. There’s so many creative ways of bypassing enemies that it’s almost unbelievable. This game is so open about how it can be approached that it simply amazes me.Īnd it brings me to a thought of how much fun is earned from the game simply because there’s so much freedom to explore the game and utilize the situations around you to your advantage. While that’s fun, one of the most fun things that I have found in the game is the variety of ways I can use the environment to lure enemies into murder traps, or simply play the unseen demon that strikes terror into the hearts of his enemies, causing them to panic and open fire at the first thing they see, even if it’s their friends. It’s a damn good stealth game that offers multiple opportunities to simply slip past the enemy and never touch them once. I’ve been playing a lot of “Mark of the Ninja” lately.
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